So, let’s say you don’t have proper studio monitors and you want to buy a set of speakers to improve your mixes. In this article we will help you choose the best studio monitors for you, depending on your needs and budget, so you can start mixing your songs properly.
of professional studio monitors
Many times the speakers are the last piece of equipment that we buy. I’ve seen recording studios with great microphones, several MIDI controllers, and a proper audio interface but without a good pair of monitors, and in my opinion, it should be one of the most important parts of your studio. Studio monitor speakers are quite affordable these days, most of the monitors we’ll list in this post will not cost more than 500€ ($450) for a pair.
But why is having reasonably good speakers important? Well…if you can’t hear what you’re mixing, you won’t be able to correct the errors in the mix, and a bad monitor will guide you in the wrong way. Good speakers will provide accurate sound in all (or most) frequencies. Cheap equipment usually fails to reproduce the low frequencies correctly and its frequency response is less accurate.
How to choose your speakers?
Well, this can be overwhelming at first, but here we have a set of questions to narrow the search:
1. What is your budget? Obviously, with more money, you’ll be able to get better equipment.
2. Which music style will you work on? Depending on the music style you may need more power (bigger woofer size) and maybe require a subwoofer.
3. What is the size of your mixing room? Small rooms do not respond well to powerful monitors unless you have very good room sound treatment.
Top 3 affordable Studio monitors
We will review 3 studio monitors and list their characteristics, price per pair, and their pros and cons. We will only analyze near field active monitors in this article because we think is the best option for mixing purposes in home studios. If you are looking for mastering monitors then you should look for midfield monitors.
Yamaha HS 8
The Yamaha HS 8 is an active 2-Way Nearfield Monitor, it has enough power for all music styles and will work best in medium-sized rooms. Usually, you won’t need more power and the quality is very good for the price. It has an 8″ Woofer which is a good size to achieve good low-frequency response for those working on EDM and it has XLR and TR balanced inputs. This is pretty affordable, but it is the most expensive in this list, at 550€ for a pair.
Its main characteristics are:
- 120 W, 8″ Woofer + 1″ Tweeter.
- Frequency Range: 38 Hz – 30 kHz.
- XLR Input balanced, 1/4″ TR Input balanced.
- Room Control and High-Trim Tone Control.
- 275€ per unit.
M-Audio BX5
M-Audio BX5 D2 is also a 2-Way active Nearfield Monitor, with 70W it is a good option for medium and small-sized rooms. This is a great choice for those working in pop, rock, jazz, or classical
styles that don’t require high precision and power on low frequencies. It has balanced XLR inputs and unbalanced and TRS inputs which is important. The price is the best part, about 225€ for the pair.
For EDM you may want to check the M-Audio BX5 2.1 System that includes a sub-woofer.
The main characteristics of the BX5 are:
- 70W, 5″ woofer + 1″ tweeter,
- Frequency response: 53Hz – 22kHz
- Balanced XLR and balanced/unbalanced TRS inputs.
- 225€ the pair.
KRK RP6 RoKit G3
The KRK RP6 RoKit G3 is again a 2-way active monitor, with 73W and a 6″ woofer. They are probably a mid-point between the Yamaha HS 8 and the M-Audio BX5. It has a good frequency response, a medium-sized woofer, and balanced inputs. It is a good choice for those in medium or small rooms that want good quality and accuracy but don’t require a lot of power.
Its main characteristics are:
- 73 W, 6″ woofer + 1″ tweeter,
- Frequency response: 38Hz – 35kHz.
- Input connectors: RCA, XLR and 1/4″ TRS.
- 220€ per unit.
Conclusion
Either of the 3 options will be a good choice, which one is the best for you will depend on your needs. In my opinion, if you have the budget go for the Yamaha HS 8. If you don’t then the M-Audio are also a good start, you can always add the sub-woofer to the kit if you need it.
Post Image under Creative Commons Attribution License by Keoni Cabral
Sobre el autor
Dídac
CEO y Fundador de MasteringBOXDídac es un ingeniero de audio profesional, productor musical e ingeniero de software. También es el fundador de MasteringBOX y el autor de muchos de los artículos del blog.
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